All posts by James

hades called, wants its heat back


What a scorcher. Yesterday, while driving around, doing some shopping, I noticed the dashboard thermometer was reading 108 degrees. Gack.

It felt it.

The humans were sweltering and the garden wasn’t exactly exalting in the heat. Add to the heat my recent battles with gophers and you have a garden with some pretty rough-looking tableaux. Here’s a peek at a California fuchsia (Epilobium ‘Route 66’) seen through a chaparral currant (Ribers indecorum) that has defoliated itself in self-defense against the heat, dryness, and having its roots chewed by gopehrs.

Epilobium-Route-66

Route 66 is the first thing you notice walking up the front steps, and it’s probably the star of the September garden right now. Ignore the dying foliage nearby.


Brown is one of the dominant colors today. Lavender is blooming, but there are way more dead flower heads than new ones. Still pretty.

Same goes for the San Miguel Island buckwheat (Eriogonum grande var. rubescens).

In the herb/veggie universe the fennel is going strong, but it’s also going brown. I skeletonized the image even further.

There are a few unglamorous typical California garden plants keeping the blooming going. The bougainvillea might as well be made out of plastic. Here it seems to bloom unless it freezes back or meets an electrified pair of hedge trimmers. This is a planting of two different double-flowered kinds, a magenta one and a whitish one that’s tinted with magenta.

Kahili ginger is probably the most charismatic flowering plant right now in the back garden. Ginger-scented early mornings or nights under the stars give you something to look forward to during a season that’s usually more gray and brown than green.

Gaillardia pulchella started out life as a plant or two from the nursery. It doth spread a bit.

Beyond the big and splashy, there’s a fair amount in bloom if you look closely. Here are a few random blooms, shown mostly as closeups because the plants in general are feeling the season change.

Yellow-waterlily

Salvia-Hot-Lips

Hummingbird-sage

Clerodendrum-ugandense

Going down the photos on the left:

  • Yucca elephantipes
  • Yellow waterlily
  • Arctotis
  • Salvia nemerosa ‘Snow Hills’
  • Salvia microphylla ‘Hot Lips’
  • Hummingbird sage, Salvia spathacea
  • Gutierrezia california
  • Galvezia speciosa–no the phot isn’t upsdie-down; this is a strangely long single pendant branch on a plant on the roof deck 8 feet above
  • Orange epidendrum orchid
  • Clerodendrum ugandense, butterfly bush
  • Ceratostigma plumbaginoides, dwarf plumbago



A couple of other sights in the garden:

A potted Stapelia gigantea approaching full bloom.

The flower does has a bit of a dead meat odor, especially up close.

Even closer…

Abundant buds on the stapelia. More stinkiness on the way. Ah to be a carrion-obsessed fly in this garden.

And a final photo: Not a fly but a dragonfly visiting the pond. Taking a break from the heat.

Thanks as always to Carol of May Dreams Gardens for hosting Garden Bloggers’ Bloom Day. Click [ here ] to see what everyone else has to share!

why i did it

I’ve been reading David Rakoff lately. How I got to doing it is a little morbid but I’m sure you’re guilty of it too: An author dies; you’re reminded that the author was someone you’d always meant to look into; and only then do you finally get around to picking up one of their books.

The book I’m reading is Fraud, the only one not already checked out from my library by other Johnny-come-lately’s. Fraud collects together some of his essays, many of which appeared on radio on NPR’s This American Life, or in various magazines. One piece talks about him–an adamant New York indoorsman–going to New Hampshire to climb Mount Monadnock along with a man who’d been doing it every day for the last five years. Even in a lovely description of the atmospherics on the summit you hear the city boy protesting and experiencing nature with ironic urban quote marks around everything: “Shrouded in fog, we cannot see more than thirty feet in any direction. It lends a false sense of enclosure to everything, like a diorama from the Museum of Natural History.” And in the first paragraph he dismisses the pleasures of nature: “You want greenery? Order the spinach.”

I am so not David Rakoff, a realization driven home through my recent battles in the ongoing War Against Gophers I’ve been fighting.

A year ago I thought I’d come to a workable truce, using a concoction of blood meal and chile powder to repel the beasts from the garden. But in July this year more things in the front garden started dying back or dying altogether:

The last of the Verbena lilacina plants, probably gone for good.

Two of the three San Miguel Island buckwheats (Eri­o­gonum rubescens var. rubescens) I planted late last spring. Gone.

Chaparral currant (Ribes indeorum). This one I was particularly upset about because the plant is the first big native that a person coming up the front walkway would notice. Not a good first impression of California plants for visitors.

One thing I hadn’t tried so far is using traps. I monitor the listserv for the native plant society, and many folks swear by traps as the only thing to work that doesn’t leave the garden littered with dead gophers that might be consumed by wildlife or pets. Traps sound unpleasant, but they seemed the way to go with the fewest chances of collateral damage. I was desparate.

So…off I went to the local hardware store and returned with these little death machines. I found an area in the garden that looked recently active, gopher-wise, dug a hole, and placed the two traps as directed, facing opposite directions in the tunnel, and tying the traps to something fixed in case the creature drag the trap deep into the tunnel system. That final direction about tying the traps to something immovable was almost Too Much Information…a wounded gopher in its death throes pulling a heavy trap deep into the tunnels. Ick. Really, do I want to do this?

Still, there’s a deniability to the process. I set the trap, but the gopher must choose to enter it. The gopher could chose to visit the garden next door instead, or paddle itself off to Aruba or hop a jet to Cairo. It’s a pretty bogus deniability, for sure, sort of saying something like semi-automatic weapons aren’t designed for shooting humans. But it helps me sleep at night.

My long-late mother used to tell a story about life in my recently-late father’s village. The area had a problem with dangerous feral dogs, and people were insistent that something be done about the dangers (i.e., do the dogs in–This is generations before and worlds away from today’s animal rescue ethic)). The population was heavily Buddhist, however, and people were reluctant to harm the dogs in any way. Their solution: poisoned bait. If the dog ate the bait and died, it did so on its own volition. The humans reduced the dog population, but came out of the deal washing their hands of what the dogs did, “all on their own.”

My karmatic glow dropped a few points about a week after I placed the traps, when one of them did what it was designed to do, dispatching what seemed to me one extremely large gopher, big as my fist and alarmingly heavy. It took a surprising large amount of effort extricate the gopher from the trap, pulling the carcass out of the twin spikes that pierced its little skull. Poison would be so easy compared to this, and way more deniable. But I did what I did and now I was dealing with the consequences.

There are more gophers in the garden, I know, but so far they’ve eluded capture. And fortunately for the garden whatever gophers may be left don’t so far seem to have as voracious an appetite as the one I caught. This California Fuchsia, ‘Route 66,” is beginning its flowering, just a few feet from where the gopher activity peaked. So far so good. But I suspect my karma points are going to take a hit someday soon.

I suppose I’m too sensitive a being worrying about all this. If I were David Rakoff I’d just order the spinach and get on with life.

from the art fair

I just popped over to the Art San Diego 2012 contemporary art fair, which runs through Sunday. In addition to art, there was a lot of interesting design. A couple of the pieces or installations employed live plants and I thought I’d share them here.

The first photos are of a wall piece. I wouldn’t be surprised if the idea of planting a staghorn fern in the head of a stag trophy has been done already, but I thought this was fun. Unfortunately the presentation was short on labels or further information, so the exhibitor missed out on an opportunity to get free publicity on a garden blog that must get readers by the millions.

The other was this art installation by local artist Keenan Hartsten, who works with various natural materials. Making up this piece are plants, pots, the horizontal shelves–whatever they’re made of–and white and colored pebbles that have been glued to the wall to form horizontal lines. In this gallery-like context the plants look extremely strange, even though many of them are fairly common houseplants. If I were uncharitable I might say that the plants looked more artistic and wildly strange than much of the art in the rest of the fair. But being a plant person quite frankly I find that’s generally the case: Most plants are far more interesting than most art.

You can see some of Keenan Hartsten’s other works at his website [ here ]. I Especially like the driftwood piece he did for a local surf shop.

visiting the fallen star

Last year I showed you some of the construction leading up to the installation of Fallen Star, this art installation by Korean artist Do Ho Suh. Basically it’s a tiny Providence, Rhode Island-style house and garden that has improbably landed on the edge of one of the engineering buildings at UCSD. The “landing” was a little rough, as you can see, so that the floor of the house is a few degrees off of level. The walls of the little house aren’t quite plumb, either–and don’t quite match the angle of the floor. The whole effect is pretty disorienting.

(You can click [ here ] to see all the other post I’ve done on this installation.)

Aside from creating an intriguing object set helplessly among the brutish concrete structures around, the artist is using the sense of disorientation to conjure up the sense of disorientation he felt when he came to this country to study at RISD. But in addition to the disorientation, he’s also interested in creating an oddly sheltering space. We find community wherever we can, even in the most unlikely places, in this case seven stories off the ground, jutting out alarmingly over the quad below.


I tried to visit on the first day the piece was open to the public. The crowd was way crazy, and it was like trying to view art at a gallery opening. Definitely not the best time.

So, when I got a chance to see it under much more civilized circumstances I jumped–no, let’s use a different verb: I went for it.

So…we approach the house from the adjacent building. The safety railing is perpendicular to gravity. As I’ve mentioned already, the house is not.

This is me, stepping into the slightly under-scaled, seriously slanted interior of the little house.

Most visitors’ first reactions will be to the off-kilter feeling of seeing the positions of house and furnishings not quite lining up with what your inner ear is telling you you should be seeing. The little chandelier in this photo is pretty much the only thing acknowledging gravity.

Looking out the door towards the house’s perch, you can get a really good sense of the crookedness.

Here’s the rest of my little group inside, next to the fireplace. After a few minutes you really start to feel queasy.

Once you get over the shock of the fun-house aspects of the piece you start to notice little touches: family photos, tchotchkes, lucid details that inhabit everyday life and memory. The inhabitant of the house is fictional, but you think that your Aunt Edith or Gramma Olive might have been models for her.

I thought the little views out the windows were especially poignant.

Just outside the house you sense that whoever lives here might just be a gardener. Who else would leave a concrete frog and Corona clippers right at the front door?

If the clippers weren’t enough of a clue, how about a bright green garden hose? Some people do their best to hide away their hose, but the kind of gardener who lives here would have nothing to do with all that silly fakery.

Outside gravity reigns. The plants know which way is up, and by this point you might need to sit down and remind yourself.


There are lots of ornamentals outside. The gentle yellow of this sunflowers looks great against the house’s clapboard exterior.

Morning glories were clearly enjoying their full sun exposure, even though this is about as exposed a spot for garden that you’ll find anywhere. In case you’re dying for the name of this variety–like I was–it’s the heirloom Carnevale di Venezia.

Grandma’s Olive’s fictional double also enjoys her summer vegetables. This is a brown pumpkin…

…and here’s a perfect Persian cucumber, a gift to me from the garden of the Fallen Star.

A perfect conclusion to an amazing tour.

music in the garden

Painting: Giverny revisted
Raisy Derzie. Giverny Revisted.

None of us live by gardening alone. Lately I’ve been going back to some of my earlier days, composing music. If you’ll be anywhere near Long Island later in July I invite you to a performance that’ll include one of my new pieces, Afterimages, for clarinet and cello, composed for Thomas Piercy (clarinet) and Suzanne Mueller (cello).

There is a gardening tie to all this: the premiere will take place at the Old Westbury Gardens as part of the Sunday Afternoon Concert Series. The date is July 22, and the concert will commence at 3 p.m.

The New York new music organization Vox Novus invited composers to write something in reaction to this painting, Giverny Revisited, by Raisy Derzie. And, oh yes, the piece had to be sixty seconds long or shorter–talk about a big limitation! They then picked fifteen of the submissions for their ongoing Fifteen Minutes of Fame series of concerts, and my piece will be one of them. In keeping with the idea of the painting, where the artist has taken up the subject matter of Monet’s garden through a modern lens, my piece uses contemporary harmonies and rhythms to riff on the opening of Reflets dan l’eau, the first piece of Claude Debussy’s first set of Images for piano.

Southern view of Phipps estate

Also on the program will be pieces by all sorts of composers from Leopold Mozart, Beethoven, and Bartok to Charlie Chaplin. Cool music, all performed on the very manicured grounds of the old John S. Phipps estate on Long Island in New York.

I had another short short work selected for another of Vox Novus’ concerts, this one featuring the West Point Wind Quintet in a concert designed to commemorate the 150th anniversary of the Civil War. I was feeling a little contrary, so not only did they get a piece less than a minute long, the piece was a three-movement suite, all of which clocked in at about 54 seconds. It’s all a little square and academic but it was fun to write.

The piece: Field Notes: Three Volleys for Wind Quintet

The movements (linked to the YouTube performance):

[ Program notes to the whole concert, including videos of the concert, in two parts ]

The entire world premiere performance on April 29, 2012:

Enjoy!

pink lawn flamingoes, reloaded

When life gives a crappy cellphone video camera, well, you make crappy cellphone videos. Not that the world needs any more of them but I’m such a narcissist that I’m sure these are only crappy in their total lack of technical polish. I’m sure they’ll be going viral any day now…

A trip to Walter Anderson Nursery a few months back netted this find, a wind-activated updating of the classic pink lawn flamingo.

And in keeping with the motif of things blowing in the wind…

At graduation for Pomona College last month they held the festivities outdoors, under old, old sycamores growing in the riparian lawn habitat. Overhead they’d set up blue and white banners that on this mild morning were being set in motion by the breeze.

Two months ago I stopped off briefly at Chapman University, where I passed by this lovely planting of the very lovely and equally evil (in my book) Mexican feather grass, Nassella tenuissima. (Why is this plant evil? you may ask. I was out weeding this morning, and pulled up a dozen or so seedlings from plants that I pulled up a decade ago. It’s also undergoing review for consideration as an invasive exotic species in California. Notice their planting is surrounded by concrete, but I’m sure they have the stuff coming up in irrigated spots nearby. (Maybe this started out as one plant?)) The California native purple three-awn, Aristida purpurea, would do very much the same thing, only with more of a delicate purple tinge. It reseeds, too, but for me not nearly so prolifically as the plant in the video.


more from rancho santa ana botanic garden

Here are a few more photos from My previous post looked at the Cultivar Garden and Wildflower Meadow at Rancho Santa Ana Botanic Garden. Today I’m sharing a couple more categories of what you’ll find there: shade gardens and California natives grown in containers.

Parts of Rancho look wild, and the shade plantings fall into that category. Coral bells and iris form a dense green carpet and pink

This place is very much a tended garden, but these many acres of oaks under-planted with drought-tolerant shade plants buzz with a wild vibe. Benches under the oaks humanize the space and let you know things are under control.

Most of us probably don’t have anything approaching the acreage to pull this off at home. Places like this are great to appreciate plantings taken really big.

I liked the starry yellow flowers in this planting. Bloomeria, maybe?

Closeup of the yellow flowers…

A killer group planting like this makes me think that my little row of coral bells at home is lame by contrast.

Moving out into semi-shade I found this iris. Many plants near it were labeled. This one was not. CalFlora didn’t help with the ID, so if any of you have any ideas, let me know!


By contrast to the shady woodlands the demonstration container garden looks totally suburban and attainable. It’s much smaller in scale and the corrugated steel fence-walls give the space a sheltered backyard sort of feel. There’s a golf course on the other side of the fence (not part of the garden) to provide comfort if all the nature-looking plantings in other parts of the garden scare you.

The tallest plant in this photo is a variegated form of Cornus sericea, ‘Hedgerows Gold.’

Here’s a detail of the foliage, yellow-green with darker green splotches. Yes, the leaves are really cool, but so are the red twigs. This is a great plant even in winter, after the leaves have dropped.

Ceanothus Silver Surprise was another option with variegated foliage.

In the container garden they have a couple of these sculptural knots of dead plant parts. Primal and just a tad scary.

Most of the potted plants looked urban, but a few moved back towards nature, like this pot of bunchgrasses interplanted with wildflowers. Here the gilia was in bloom.

I took more photos, but you get the idea…

Be sure to go for a visit if you’re in the neighborhood. And you wouldn’t go wrong planning a little vacation around it.

quick side trip to rancho santa ana botanic garden

In mid-May we had a chance to go up to Claremont, home of the Claremont Colleges, to see John’s niece graduate from Pomona College. (Congratulations Chrysanthe!)

Claremont also happens to be home to one of the premier California native plant gardens in the state, Rancho Santa Ana Botanic Garden. With all the competition from the graduation festivities we barely made it over, but we managed to pack in one more thing to do on a busy graduation afternoon.

Here’s Part I of my photos from the trip.

The garden had an end-of-spring vibe gong on. There were flowers, but the floral orgy of late winter and early spring was past. Today the season belonged to late penstemons, wooly blue curls and various sunflowers (Encelia, Venegesia, Helianthus). And if there was a drop-dead gorgeous OMG plant it had to be the California buckeyes going at it in full force in broad daylight. They should be ashamed.



The first big gesture at the garden is the wildflower meadow. Lots of penstemon here, and a perky dose of yellow from the desert marigold.


What garden doesn’t have an issue with bugs? Here they were hosting an outdoor installation of David Rogers’ Big Bugs, some really big insects made out of natural materials.


With a visitor who’s 6 foot 9 inches tall for scale, here you can see the size of these things.

The penstemon wasn’t limited to life in the meadow. Someone with a big bag of seeds made sure any empty spaces got a sprinkling of penstemon. It makes for a gentle transition into the browns and grays of the summer native garden.

Nice shady places to sit…

Canyon sunflower.

Lots of folks visiting a native plant garden want to see how these plants can be arranged in a garden. The Cultivar Garden here showcases horticultural selections of the more garden-worthy natives. In the background is buckeye, once again, with sage in the foreground.

And a wider view of the Cultivar Garden. Who wouldn’t want to have a garden like this?

More images to follow…

failed eclipse photos

Were you under the path for Sunday’s annular eclipse? Or at least some place where you could get a decent partial eclipse?

I was up in northern San Diego County, doing family stuff. I had a reasonable camera but no filters to help me reduce the extreme brightness of the sun. I tried to stop down the lens and god for the fastest shutter speed. I tried photographing through leaves to filter the sun.

But, here are the results–general failures.

Fail.

Maybe a little artsy. But still: fail.

The sun is blown out, but the lens flare to the upper left of the sun shows the moon starting to cover the sun, about a half hour before the maximum 83% coverage we would get down here in San Diego.

Aesthetic failure.

Failure to capture the eclipse, but I sort of like the image, especially the plant silhouettes.

I think that’s the eclipse in the lens flare. From the standpoint of technique it’s nothing to show your astronomy prof, but I think the image is cool. Mysterious. Like moonlight, but not.

Life gave me lemons. I’ll take them.

book review: california native gardening

Book coverHelen Popper’s recent book (March, 2012) California Native Gardening hit my mailbox a few weeks ago. It’s been reviewed [ here ] and [ there ], and it looked worth checking out.

The quick take on this new guide: Yes, it’s a good book, and it’s a nice supplement to other books out there on horticultural uses of California native plants.

Look at its title and you’ve got a good idea of its focus: California Native Gardening. That’s the active verb-noun “gardening” at the end, and the gerund signals that this is a book about doing and not just sitting back and admiring.

The core of the book is organized around the months of the year. This being California, it begins with October, the beginning of our “spring,” our annual renaissance. It’s a useful device to get readers to rethink traditional notions of a garden’s cycles and get used to how plants behave in our Mediterranean climate.

Each month presents you with a list of tasks for the month, and each of the tasks is developed into several paragraphs of explanation. May’s essays are: Let Wildflower Seeds Ripen, Pinch and Prune, Propagate with Cuttings, Water Now Before the Heat of Summer, Plant and Sow, and Weed and Mulch. (Different months have different lists of things to do.) Each area under the larger headings generally gives you a short list of plants that you would be applying that task to that month. Under the section on cuttings, for instance, we’re told that several shrubs and perennials are good for attempting propagation by cuttings this month, including golden currant, wild mock orange, coyote bush, tree anemone and yerba buena.

Lest you fear that the book will leave you exhausted after all your chores, each month also ends with a section called What’s in Bloom. Here you’ll learn some of the plants that are likely to be in bloom this month, with May hosting flowers from sulfur buckwheat, California phacelia, grape soda lupine and western columbine, among over a dozen others. You can sit back and enjoy the blooms or add the plants to a shopping list for next fall in case the garden is lacking flowers during parts of the year.

O'brien book cover

The ecological niche that this book occupies places it in the company of cultural guides like the under-appreciated Care & Maintenance of Southern California Native Plant Gardens by Bart O’Brien, Betsey Landis and Ellen Mackey. The O’Brien book organizes its garden tasks around plants and what they require throughout the year. California Native Gardening uses the month-by-month approach, which sometimes spreads out tasks for one plant over several months. For instance we learn that coyote bush, is a good candidate for cuttings in January, February, May and September, which can be a lot of page-flipping if you’re interest in a plant and not necessarily the month. Both methods of presenting tasks are imperfect ways to organize information, and you can decide for yourself which one you might respond to. Also, California Native Gardening carries a wider selection of plants from around the state. If anything, it seems to have a slight–not huge–bias to the north, though I could be imagining this. Related to this thought, many of the plants that make up a typical native plantscape also come from the north. I’d be curious to see what others think on this point.

So, in the end, I’d definitely recommend this book to cover the active gardening activities of having a California native plant garden. It doesn’t present a lot of information on garden planning and design, something that is better dealt with in books written with that purpose in mind. (My favorite in that category is Designing California Native Gardens: The Plant Community Approach to Artful, Ecological Gardens by Glenn Keator and Alrie Middlebrook.) But whose library consists of only one book? Add this to yours.

PS: It’s got nice pictures, too.