treefall

The fallen eucalyptusI was heading back to my desk at work on Thursday and noticed a cluster of my coworkers looking out a window. There’s a little access road right outside. Usually it doesn’t have a full-grown eucalyptus tree fallen across it, but this day it did.

Trunk of fallen treeI don’t have my camera with me most of the time, but Declan had his. He was part of the volunteer crew who wrestled the tree to the curb, but he also managed take these shots.

[ View the entire set on Flikr ]

Not much later the building’s safety person had issued a warning:

Just a heads-up, literally: high winds are blowing down eucalyptus branches and trees around campus. About an hour ago, an entire tree broke off and fell across the access road… (Very fortunately, no people or vehicles were in its path.) Until the winds die down, please be sure to watch and listen for breaking branches and avoid walking through the eucalyptus groves.

The UCSD campus is home to over 200 thousand of these trees in plantings that date back a hundred years, back to a eucalyptus mania when eucalyptus were planted all over Southern California, including three million just a few miles up the coast in what’s now Rancho Santa Fe.

If you live in this part of the state you’ve probably heard the stories: that the trees are call widowmakers because they drop their branches if you look at them wrong, that they’re just giant non-native weeds that take up valuable space…bad things like that.

I wonder if the bad rap on the first count is entirely deserved. For sure, some eucalyptus are brittle, and there have been three times in the last year alone when I was within fifty feet or thirty seconds of being taken out by falling eucalyptus. But with almost a quarter million of them on campus and millions of them in town it’s inevitable that a few of them keel over or fall apart. Are they that much worse than oaks or other trees that people plant by the millions?

I did a quick and totally informal survey of some headlines, eucalyptus versus oaks. Maybe the eucs are totally bad news. May they’re not that much worse than other species. Whatever the case, they definitely can be gorgeous trees.

Shadows cast over towering eucalyptuses (Eucalypturs kills woman in Old Town San Diego, The San Diego Union-Tribune–January 8, 2003)

2 killed in ‘freak accident’ : Falling oak crushes pickup on County Line Rd. (Oak tree, The Post and Courier (Charleston, N.C.)–April 16, 2008)

Tree check asked after accident (Eucalyptus kills woman in parked pickup truck, Evening Tribune (San Diego, CA)–December 25, 1987)

Man killed by falling tree (Oak tree falls onto pickup truck, News Sentinel, (Knoxville, TN) December 28, 2008)

$160,000 awarded in Zoo death (Award given to family of girl killed by falling eucalyptus, The San Diego Union–August 2, 1986)

Girl killed by falling tree at Boy Scout camp (Oak tree, Associated Press, via MSNBC–August 10, 2005)

Half of the incidents above involved pickup trucks. Weird. Maybe that’s the deadly combination: pickup trucks and large trees. Like mobile homes and tornadoes…

view into the january garden

front-window-aloe-viewThis is one of the reasons why people live in a Mediterranean climate like San Diego, suffering the frequent 70-plus degree daytime temperatures. Here’s the view out the front room window onto this huge, mounding pile of blooming aloe. I think it’s A. arborescens, one of the more common species that you see all over town. (There’s a little epidendrum orchid blooming just outside the window, but who’s going to pay it any attention with the aloe going off in the background?)

aloe-bloomsA closer look at the flowers…

aloe-and-agave-leaves…and a closer look at the leaves of the aloe (serrated edges, much softer than they appear) and the agave (straight edges).

For some people, it’s not winter without seeing snow. For me, it’s not winter until I’ve seen the aloe. Okay. I’m ready for spring now.

just about to be published

catalog-cover1

Linda brought by my desk the 2009 Spring catalog of the Princeton Architectural Press. She really like the photo on the cover, a planting by Andrea Cochran, a San Francisco-based landscape architect and the subject of a new book, Andrea Chochran: Landscapes, which is just about to be published. (The project shown is the Ivy Street Roof Terrace Hayes Valley Roof Garden in San Francisco.)

You may recall that Linda is a quilter, and the cover design really looks quilt-like in the way it’s put together: blocks of different plantings (not just blocks of single kinds of plants), all assembled together so that one grouping of plants contrasts dramatically against another, like one patterned fabric in a quilt that’s been set against another. In fact the author of of the book describes Cochan’s work as “studies in repetition and order, orchestrations of movement in the landscape, and elements placed in geometric conversation”–which almost sounds like the principles operating behind many quilts.


Check out Andrea Cochran’s website for other examples of her strong, linear landscape designs.

Thumbing through the catalog I ran across another title that made me stop for a closer look, Bamboo Fences, by Isao Yoshikawa and Osamu Suzuki. The catalog says that the book “provides a detailed look at the complex art of bamboo fence design in Japan, presenting these unique structures in over 250 photographs and line drawings. From the widely used ‘four-eyed fence’ (yotsume-gaki) and the fine ‘raincoat fence’ (mino-gaki) to the expensive ‘spicebush fence’ (kuromoji-gaki), these exquisite designs impress with their simple beauty, providing plenty of inspiration for your own bamboo fence.

bamboofence1

“Author Isao Yoshikawa gives a brief overview of the history of bamboo fence building in Japan and classifies the different designs by type. A glossary provides explanation of Japanese fence names and structural terms.”

Of course, fences like this probably wouldn’t work so well if your house is in the Tudor or Spanish taste. Unless of course you want your home to develop a “home store Gothic” look that one writer called the look that suburban houses accrue over time as their owners buy whatever strikes their fancy at the local Home Depot, historical accuracy and style be damned.

bamboofence2

But imagine these around a clean-lined modern house. In fact, Richard Neutra was known to like his glass-walled homes to look out on a Japanese-styled landscape. And some of the more geometric versions might even look amazing behind a landscape designed the the subject of the first book….

bamboofence3

Above: Images from the book, photographed by Osamu Suzuki.

fun with beets

I don’t usually post a pile of recipes here, but Friday night I was faced with a nice bunch of golden beets that needed to be used. I made a loaf with the beet greens and then grated and sauteed the beets with a parsnip.

The mother recipes I began with were out of Jeannette Ferrary’s and Louise Fiszer’s The California-American Cookbook: Innovations on American Regional Dishes. But since I was missing some ingredients and had some others on hand, the final preparations ended pretty different from the originals. Both seemed like good ways to honor ingredients that are now in season.

John usually only grudgingly accepts beets at the table. However, he thought both of these were keepers, so I thought I’d better write them down before I forget what I did.

If this were a proper food blog, I’d have waylaid the plates on the way to the table before serving them. But the food was long gone before I had a chance to think of that. Maybe I should have posted photos of the dirty dishes after all the beet concoctions had been devoured…

Loaf of Beet Greens

  • Olive oil
  • Beet greens, tops of 1 large bunch (ca. 3 large beets), including stems, chopped
  • 1 clove garlic, minced
  • 1 medium onion, chopped fine
  • 1 serrano chili, seeded, membranes removed, slivered
  • 3 eggs
  • 1/2 cup shredded cheese (I used Trader Joes’ Quattro Formaggi)
  • 1/4 pound good firm tofu, cut in 3/8 inch cubes
  • salt
  • pepper
  • small sprinkling of nutmeg

Preheat oven to 350. Saute beets, onion, garlic and chili in oil until wilted, ca. 5-8 minutes. Salt and pepper to taste. Remove from heat.

Mix eggs, cheese, tofu and nutmeg in bowl, and then stir into beet green mixture.

Pour into greased loaf pan and bake 25 minutes. Allow to set 10 minutes before serving.

Serves 4

Root Vegetables in Tequila Lime Butter

  • 3 tablespoons butter
  • 3 large beets, golden beets preferred, ends removed, peeled and grated
  • 1 medium parsnip, peeled and grated
  • zest of 1 lime
  • juice of 1/2 lime
  • 1 tablespoon sugar
  • 1 1/2 tablespoons tequila
  • salt
  • pepper
  • 2 tablespoons minced cilantro to garnish (optional)

In a bowl mix together lime juice, zest and sugar. In a saucepan saute beets in melted butter over high heat for 3 minutes. Add salt and pepper. Add tequila, and then lime mixture, and cook for 3 more minutes. Serve garnished with cilantro.

Serves 3-4


blog typography

In response to my post on the interesting typography of the J.L. Hudson seed catalog, Philip wondered whether it would be possible to design a blog so that it would look like an older publication that was typeset without the aid of computers.

There are lots of blog design elements, but one of the most important is the main text that people read. Here are a couple attempts at coming up with an online typographic style that looks a little more oldschool, more pre-computer.

Lorem ipsum dolor sit amet, consectetur adipisicing elit, sed do eiusmod tempor incididunt ut labore et dolore magna aliqua. Ut enim ad minim veniam, quis nostrud exercitation ullamco laboris nisi ut aliquip ex ea commodo consequat. Duis aute irure dolor in reprehenderit in voluptate velit esse cillum dolore eu fugiat nulla pariatur. Excepteur sint occaecat cupidatat non proident, sunt in culpa qui officia deserunt mollit anim id est laborum.

Lorem ipsum dolor sit amet, consectetur adipisicing elit, sed do eiusmod tempor incididunt ut labore et dolore magna aliqua. Ut enim ad minim veniam, quis nostrud exercitation ullamco laboris nisi ut aliquip ex ea commodo consequat. Duis aute irure dolor in reprehenderit in voluptate velit esse cillum dolore eu fugiat nulla pariatur. Excepteur sint occaecat cupidatat non proident, sunt in culpa qui officia deserunt mollit anim id est laborum.

So do they look on the right track?

This is a greatly condensed version of a much more technical post. Click “continue reading” below to see the full version.
Continue reading blog typography

in the greenhouse, or, the dictator's wife

greenhouse-euphorbia-outsideI was in the greenhouse Friday morning, watering some pots of seedlings. It seemed funny for a second, because outside the greenhouse it was raining. If I hadn’t gone in there with the hose that morning, the seedlings would have died in the desert for lack of water.

(Left, a Euphorbia characias ssp. wulfenii outside the greenhouse, blooming away in the rain.)

I used to grow and breed phalaenopsis orchids in the greenhouse. It was gonzo amounts of work to keep up with repotting hundreds of plants. And trying to concoct an environment that would fool the orchids into thinking that they were in the lowlands of the Philippines instead of the flats of Southern California wasn’t that easy either. In addition to all the work, the greenhouse was an energy pig, taking as much natural gas to heat as the entire house.

So, end of orchid obsession. End of heating the outdoors and wasting all that energy. (The New York Times has a recent piece on a couple who decided to build themselves a greenhouse. Their heater hasn’t arrived yet, but they’re already way over budget.)

greenhouseinside

Now that the tropical orchid episode of my life has ended the greenhouse is only heated by the sun via the greenhouse effect. At this time of year it’s handy to have a spot that will help give young plants a head start on spring. That’s pretty much how I use the greenhouse now.

greenhouseclutterAnd, um, yes, for a place to store garden clutter. Sort of a garden shed with windows…

greenhouselookinginFortunately the windows are an opaque fiberglass, so all the mess inside is obscured. Maybe even a little mysterious and poetic. Here are some potted plants as seen from the outside.

As I was watering the plants in my little artificial outdoor desert I thought back to the 1980s. One the stories from the news that has stuck in my brain all these years was a report on Michèle Bennett, the wife of Haiti’s dictator, Baby Doc Duvalier. The couple was bad news all around, and one of Michèle’s vices was that she’d refrigerate a part of the palace so that she and her friends could strut about in the fur coats that they collected. (Compared to her husband’s brutal ways, it all seems pretty minor, of course.)

Mink and fox and chinchilla coats in Haiti. About as rational as a greenhouse full of warm tropical orchids in San Diego, I thought.

I guess we all want a little of of what doesn’t come easily or naturally. But in an age of a growing awareness of the need to live greener it’s good to stand back and see what we really need.

mostly words

My winter pile of plant and seed catalogs contains one that doesn’t fit the usual model. Instead of page after page of gorgeous soft-core pornographic photos and drawings of plants in brawny full leaf and buxom full bloom, the J.L. Hudson Seedsman catalog takes the form of a tight 95 pages of black-on-white text and only twenty-five small line drawings for illustrations.

jlhudsoncatalogpage1

This is a catalog all about words. It could well change your expectations of what a seed catalog should be. It’s listed as an “ethnobotanical catalog of seeds,” and you can sit down with it and read it like a novel. Most of the seeds descriptions come with a sentence or two of cultural trivia about the plant, mostly about how one of the world’s societies uses that plant. I’ve been finding that this is the catalog that I’ve been spending the most time with this year.

jlhudsoncatalogpage2

In addition to the interesting catalog copy, you start to notice that the text itself is gorgeous in the way it sits on the page. I was trying to place the special quality it has when I finally noticed on the last page an interesting statement: “This publication was typeset entirely without the use of computers.”

No computers? In 2009? So retro it’s avant-garde, like albums released on vinyl. But worry not. They also have an online presence.

This is definitely a catalog with attitude. It’s also a catalog with a purpose, a purpose that’s well documented in a statement on their website, a purpose that’s in line with their self-description as a “public access seed bank.” You can also start to understand the purpose when you look at the titles of the brief selection of books offered in the back of the catalog.

One of the works, Invasion Biology: Critique of a Pseudoscience, has a writeup that includes the statement, “We have all heard the breathless tales of the dangers of ‘invasive alien species,’ but what does science say about them? …In all cases… introduced species have increased biological diversity.”

Another title, Ecofascism: Lessons from the German Experience, gets a long writeup that includes the impassioned lines, “Most U.S. environmentalists are completely opposed to the aims of fascism, but reactionary forces have begun to bend ecological themes towards these very ends. Only through knowledge may we prevent this perversion of environmentalism.”

Once you understand where the catalog is coming from, you’ll start to understand the almost willful attitude that would drive them to offer seed of black mustard, one of the plants that has taken over much of the local ecosystem and has few friends among the plant people I know. And one of the recent online catalog supplements had seed for Arundo donax, a plant that has taken over some important local riparian habitats. Why don’t you just dump plutonium in your garden? Hmmmm…Does that make me an ecofascist?

You don’t have to agree with everything you see in the catalog, and you don’t have to buy anything out of it. But this is one publication that’s a must read if you’d like to get yourself thinking instead of all hot and bothered over the usual pretty pictures!

teach wonder

Imagine if [kids] knew plants and animals the way they knew brand names and logos, if they knew mountains the way the know malls. They would feel like full participants in the landscapes they inhabit, happily roaming the ridges and creeks in a world that needs their attentiveness… I share with Rachel Carson the hope that children be given a sense of wonder so indestructible that it would last throughout life.”
Rick Van Noy, in A Natural Sense of Wonder: Connecting Kids with Nature through the Seasons, quoted in a book review by Brian Doyle in the current issue of Orion.

visualize your blog content

A lot of blogs these days–including this one–have tag clouds in their sidebars. These highly visual displays of tags the blogger has supplied give you a good sense of the kinds of topics the blog covers. And they give you a sense of how often the topics get discussed.

These do a nice job of displaying the words the blogger thought would be important, but they sometimes miss the big picture that you could get by turning an entire post into a cloud, something using all the words in the post, not just the ones supplied by the blogger.

One of the interesting things I saw in the coverage of Barack Obama’s inauguration was an Associated Press visualization of his inaugural address using an online tool to analyze the frequency of the words he used. (Perhaps the AP’s analysis was based on one at Free Government Information.) Then the story went on to compare it with a visualized version of George Bush’s 2005 inaugural address.

I used the same tool, TagCrowd, to re-visualize the same Obama speech. TagCrowd picks the most frequently used words and assigns different sizes to them. As in a regular tag cloud, the bigger the visualized word, the more times it was used.

obamaspeech

But instead of comparing it to Bush’s address, I visualized Lincoln’s Gettysburg address, since people seem to compare Obama and Lincoln. You can see how language has shifted over one and a half centuries, as well as how differently the men use words.

lincolnspeech

Interesting, huh?

Then I thought, why not try visualizing some blog posts by turning all the words in blog posts into clouds? Would the results between posts be that different? And would they differ much from the tag cloud in my left sidebar?

The first posting I analyzed is a recent one, “greener gardening practices,” from January 7:

blogpostinggreener

How would that gardening post compare with one of my older hoity-toity art posts? This is the cloud derived from “gardens, phonebooths, poetics and old maids,” a post from January 21, 2008:

blogpostchiricahua

Pretty different clouds, I thought. (And sorry for the typos on “Cochise!”) The different subjects resulted in dramatically different vocabularies and different word emphases. Also, over the last year, I’ve been trying to simplify my writing for the web–not at all dumbing it down, but adapting to how people read text on a screen versus text in a book. That probably contributed to a difference between the two posts.

Try TagCrowd. Compare old posts with new posts, or posts about your garden with those about your friends or travels. Or pick just one text you like to see what the repeated words tell you.

I think you’ll discover some interesting things!

talking trees

If a tree talks in the woods and no one’s around to hear it, does it make a sound?

Tuesday morning I had my choice of places to view the televised inauguration of Barack Obama or ways to hear the audio feed. Working as I do on the UCSD campus, there were rooms in libraries, radios at coffee stands and individual laptops that were all playing the ceremonies. The most unusual venue I could pick from was to hear the inauguration broadcast through the speakers of lead-plated eucalyptus trees that were installed over twenty years ago as part of the campus’s Stuart Collection.

treesingingLeft: The tree in the installation that plays music.

The work is Trees by artist Terry Allen, and was constructed from three eucalyptus that either had died or had to be removed to make way for new construction. The dead trees were cut into big chunks, dipped in wood preservative, reassembled, and then covered with small sheets of lead attached nails. What was the artist’s intent? The Stuart Collection’s description offers this explanation:

One could walk through the grove several times before noticing Allen’s two unobtrusive trees.  Not only do these trees reinvest a natural site with a literal sense of magic but they implicitly make connections between nature and death and the life of the spirit.  It is not surprising that students have dubbed this area the “Enchanted Forest.”

At the entrance to the vast, geometric library the third tree of Allen’s installation remains silent – perhaps another form of the tree of knowledge, perhaps a reminder that trees must be cut down to print books and build buildings, perhaps a dance form, or perhaps noting that one can acquire knowledge both through observation of nature and through research.

treetalkingfrombelowRight: The tree in the installation that recites poetry.

On Tuesday, the tree that ordinarily recites poetry and the one that typically offers songs and music were dedicated to an audio feed of the Presidential inauguration. The organizers had high hopes, predicting “hundreds of students” would show up for the event. But for the few minutes I could spend there, I counted just about a dozen people and two dogs (well-behaved ones, attending with their owners, not dogs doing their thing on the trees…).

treemutebarkLeft: The “bark” on the mute tree, showing the nails holding the lead plates, as well as the list of credits of the people who worked on the project.

treemuteLeft: The mute tree, as seen from the library entrance.

The special programming wasn’t the easiest sell that morning. The inauguration was already a huge event.

I’ll have to admit I had a hard time paying attention the the art event myself. You could feel change in the air. And even talking trees in a forest weren’t enough to get people to stop.

an artist loosed in a garden