Category Archives: landscape design

lawn reform

Susan from Blue Planet Garden Blog dropped me a note about a new initiative she was involved in. Lawn Reform, a collaboration of nine bloggers from around the US, is trying to reshape how we all think about lawns and their roles in gardens.

If you’re not already out there crying, “Kill your lawn” (or at least something like “Reduce the size of your lawn”) the site lists six good reasons to think again about the green monster outside your house, “Polluted Waterways,” “Pesticide-Treated Lawns that are Toxic to Humans and Pets,” “Guzzling of Water, a Resource in Short Supply,” “Single-Species Monocultures that Provide Nothing for Wildlife,” “Frequent Mowing, with Air Pollution” and “Overtreated and Overwatered Lawns that Waste $$ and Keep Asking for More.”

To that list I’d add a more philosophical reason to rethink a green expanse, the idea that a lawn represents some weird macho domination of all things natural, that nature isn’t acceptable to live with until it’s been chopped to smithereens and reshaped into something that’s a pale imitation of itself. Start with this mindset and it’s not a a big leap to Silent Spring, global warming or The Bomb.

To promo Lawn Reform, Susan is hosting an “I used to have a lawn but now I have…” contest, where you’re encouraged to submit photos and stories related to transforming lawn into something else. The winners, drawn at random, will receive a copy of John Greenlee’s new book, The American Meadow Garden: Creating a Natural Alternative to the Traditional Lawn.

Dead Grass

I’ll share a couple of life-after-lawn photos of my own. The newest expanse, which might be described as “I used to have a lawn but now I have dead grass,” is a fairly unattractive alternative to lawn, a patch of unwatered grass that’s in part a response to our current water rationing. This is probably nothing that’s going to make anyone do something else with their lawn, but it’s ugly enough that we’ll have to do something about it.

Front yard overview

The second shot is an overview of my front yard, taken during the unflattering light of midday in the heat of September, something like 18 years after the we took out the front lawn. At the time we, along with much of Southern California, were into a lot of South African species, so there are a couple different forms of a stately tree aloe, Aloe barberae (a.k.a. A. bainseii) to the right, along with a big mound of Aloe arborescens. To the left is a big clump of the maligned red fountain grass from farther up in the African continent; it’s a plant that people tell you not to plant because of its invasive tendencies, although this version hasn’t self-sown in two decades. (Other versions of fountain grass, however, can take over an ecosystem in no time.)

We’ve tried various California natives over the years in this space. The most successful has been the row of coyote bush brush cascading over the front wall, Baccharis pilularis ‘Pigeon Point.’ It’s a plant that’s been said to have a ten year useful life. For us it’s doubled that number of years, though it’ll probably get renewed this planting season. Another corner of the ex-lawn, not shown here, features some buckwheats and plants from the Channel Islands. They’re filling in nicely as they provide more of a California flavor to the yard and soften a yard that used to be a lot more about succulents.

Front yard succulents

Before we undertook this big lawn replacement we asked a question about what we really used the front lawn for. Mostly we walked through it on the way to the front door. Why not put big mounding accent plants where we’d never walk? And in the place of where we used to have one species of grass that required lots of water and pampering we now have several dozen species of plants, almost all of which will make it through the summer with next to no additional watering. Greater diversity, check; less water use, check. The project also succeeds in all the other ways Lawn Reform suggests a lawn replacement would succeed.

But that’s just one success story. There are probably as many different ways to replace a lawn as there are gardeners. What would you do?

on the road: cornerstone sonoma (more)

These are the last of the photos I took at the gardens at CornerStone Sonoma. Looking through this second batch it seems that the gardens below rely heavily on hardscape details and less on plants. None of them are gardens without plants, but the green stuff definitely plays second fiddle to the more engineered parts of the gardens.

Cornerstone Yoji Sasaki walkway

Yoji Sasaki’s The Garden of Visceral Serenity features this terrific walkway: a central, solid strip that alternates with horizontal stripes of varying widths.

Cornerstone Topher Delaney overall view

Topher Delaney has this striking installation made up of a very short menu of elements: a blue-and-dark-gray striped wall, birches, three balls made of rope, white shade cloth surrounding the space, a bordering hedge and white crushed stone beneath your feet.

Cornerstone Topher Delaney tree and backgrounds

The color palette is reduced down to white, gray, black, green and the insistent blue of the backdrop and–today, anyway–the sky.

Cornerstone Topher Delaney balls 1

Most people plant birches because the trees have striking white trunks. But with the ground and walls being white, the birch trunks almost disappear, leaving a sense of green sheltering foliage floating overhead.

Cornerstone Topher Delaney shadows

At mid-morning, the shadows of the trees draw striking forms underfoot, and shadows of the plantings next door make soft patterns on the white shade screen.

Cornerstone Walter Hood Eucalyptus Memory 1

I liked this detail at Walter Hood’s Eucalyptus Memory garden. Garden designers often use single chairs or long benches to suggest a point of repose in the landscape. Here, Hood has used two chairs next to each other in the foreground and three in the distance, next to a pond, instead of the more expected bench. I wonder, is the fact that you have a chair to yourself meant to reinforce your sense of interior contemplation, even when there’s someone sitting next to you?

Cornerstone Walter Hood Eucalyptus Memory 2

The rest of Hood’s installation consists of very few materials. Most dominant are two tall mesh panels that frame a view to a distant pond. One side is empty, the other contains eucalyptus branches and leaves. After a few moments of looking at the garden, what hits you next–and hits you hard–is the smell of the drying eucalyptus in the one panel. This is a garden for more senses than just sight.

Cornerstone McCrory Raiche tube 2

Another sense, that of sound, is reinforced in David McCrory’s and Roger Raiche’s Rise garden. A steel tube runs through it, the kind that you see used for drainage under a road. As you walk through it you feel a sense of shelter, and the sounds of the surrounding world change as they echo gently through the chamber.

Cornerstone Burton looking down

Pamela Burton designed the last of the spaces that I wanted to share. Her Earth Walk burrows into the land, and requires that you descend into the garden to fully experience it.

Cornerstone Burton pond

The earthen color of the hay bales and the adobe mud walls reminded me of the desert.
Once you pass a big, solid of Mexican feather grass and approach the bottom, you’re surprised with a long rectangular pond with waterlilies and fish. It felt like an oasis.

By the time you drop the eight feet or so into the bottom of this installation you can’t see any of the gardens around it. What you experience is reduced down to the walls, the grasses, the sky above, and the water below.

My final reactions to visiting Cornerstone were similar to going to a little museum and seeing a collection of single works by a number of artists. There’s a little bit of tension, a bit of competition going on between the pieces. Some landscape architecture can work well this way, where the designer makes a statement and you can appreciate what’s being said. You then move on to the next piece and try to figure out what’s going on with it. But if you want a landscape architecture that’s deeply rooted in the surroundings and its history, you might leave here wanting more than many of the works deliver.

In the end, one thing Cornerstone did very well for me that a lot of other landscape architecture doesn’t comes from the intimate scale of most of its gardens. These are gardens the size of many residential lots. These are spaces that tell you that interesting landscape design doesn’t have to be scaled to massive public works or some gonzo pallazzo.

For more looks at Cornerstone Sonoma, check out Alice Joyce’s postings on her blog, Bay Area Tendrils Garden Travel.

on the road: cornerstone sonoma

The big garden destination for the Sonoma County weekend ended up being CornerStone Sonoma. Imagine a giant garden show with totally unrelated demonstration gardens lined up next to each other in their own stalls like some big horticultural petting zoo. But instead of nice-but-not-so-interesting gardens assembled by local landscapers, you have some really striking spaces put together by some of the bigger names in the landscape architecture field.

Cornerstone Flying Fence

Finding the place isn’t hard–Jenny was along for the outing and had brought her GPS. We followed the nice, polite directions of the GPS unit until we got close. The CornerStone literature says to look for the white picket fence as a sign that you’ve arrived. This is CornerStone’s take on a white picket fence, and it’s good preparation for what you’ll find there.

Cornerstone shopping yardphenalia

Like many destinations in Sonoma, Cornerstone combines wine tasting opportunities (4 vineyards), with chances to get a bite to eat, and places to shop for gifts or things for your garden. How are you set for some rustic architectural details to set into your landscaping?

Cornerstone mermaids

Maybe your koi pond needs some mermaids? (John wanted one of these very badly.)

Cornerstone flowerbeds 1

The facility has some pleasant lawn spaces with flowerbeds of cooling purples and blues and whites that were being set up for some social event.

Cornerstone Oehme va Sweden 1

But what sets this place apart are the main gardens in the back. And of all of them it’s hard not to love this one by Oehme & van Sweden, the Garden of Contrasts.

Cornerstone Oehme va Sweden 6

Big, sturdy agaves contrast with soft grasses that move in the wind.

Cornerstone Oehme va Sweden 3

As the seasons change, plants move in and out of prominence in this planting. Here are the last California poppies of the season planted in the grasses.

Cornerstone Ken SMith Daisy Border

This one might be a little harder to love–or at least it was for me, Ken Smith’s Daisy Border. From the astroturf to the plastic tubes to the plastic flowers, there’s nothing alive in this “planting.” But I suppose it’s naturalistic in the sense that some of the daisies in this border look pretty good, while others seem the worse for wear because of what the elements (and probably small visitors) have done to them. Who ever has a border where every single plant is meticulously well-groomed?

Cornerstone Greenlee river of grasses

John Greenlee created a soft, rolling planting that consists entirely of grasses, his Mediterranean Meadow. People do all-grass plantings all the time–call it “lawn.” But it’s a brave thing to do a garden with all sorts of contrasting grasses. Here a low river of fescue runs through the plantings.

Cornerstone Greenlee mixed grasses

Taller, stiffer grasses (edit: or are these restios?) line the “banks” of the river.

Cornerstone Greenlee mixed grasses 2

I wish this scene photographed better than it did. The foreground features soft seed heads of a short grass, with a more architectural species planted on the top of the low mound.

This and so many of the other gardens were bubbling over with all sorts of ideas you could repurpose in another garden setting. I’ll share more scenes from CornerStone in the next post.

on the road: wine country gardens

Heading into Marin

The daylight was ending as we crossed the bridge into the wine country north of San Francisco.

Marin at dusk

Things were developing that gorgeous warm tint that you only see for a few minutes of the day. People had set aside the next day to visit some wineries, and this gorgeous evening was the best preparation you could ask for.

Tasting glass

We stopped at three wineries, and you pick up pretty quickly that the vineyards are interested in promoting a lifestyle as part of the process of sending you home with a few bottles of wine. To set the mood, each location we visited played its own riff on the basic formula that wineries follow: a tasting bar, personable servers, a gift shop, and–most interesting for me–some sort of garden setting around the facility.

Rodney Strong oak barrels

Rodney Strong stainless tanks

Stop #1 was the largest, most industrial place that we were to visit that day, Rodney Strong Vineyards. You could stroll around an elevated perch and take a look at the oak casks and the stainless tanks holding their next bottlings.

Rodney Strong planter boxes

Set in the middle of your basic picturesque Sonoma County vineyards, their take seemed to be fairly minimalist, that the grapes around the winery were garden enough. But they did have some attractive planter boxes lining the steps ascending to the tasting room.

Rodney Strong Calibrachoa and zinnias

Being high summer, their plantings featured brilliant zinnias, marigolds and calibrachoa in what I’d call a real-world planting, selections that anyone could find at their local garden center, nothing too fussy or scary or exotic.

The message they wanted to convey through their setting: We want to make your visit pleasurable, but we’re primarily about the wine. Our wines might be a better value because we don’t splurge on the unnecessary theatrics.

Across the parking lot was destination #2, J Vineyards. The approach to the front door passes casual-looking plantings of grasses, sedges and flax.

J vineyards stones and grass like plants

In Designing with Plants by Piet Oudolff and Noel Kingsbury, the authors caution against mixing plantings of different grasses. But here the technique of mixing different plants with strong linear forms succeeds beautifully. (Definitely a case in point that design guidelines are meant to be broken.)

J Vineyards seating over pond

To get in the tasting room you cross a little bridge over a pond teeming with water plants. The hardscape is cut through with strong linear elements, but the plants seem to defy the geometry, with clumps of one kind of plant cascading from one level to the next, not accentuating the structure like boxwoods planting along a driveway. Winetasting–with optional finger foods–can happen indoors, or on the patio overlooking the garden.

The message they wanted to convey through their setting: We’re not the least expensive winery out there, but what’s wrong with an occasional splurge every now and then?.

Potted plant in Healdsburg

Oversized pots with spiky plants were a common feature. This blue potted succulent was set next to a rough woven vine fence in downtown Healdsburg, where we stopped for lunch. I’m sure their gardener pruned the pointy lower leaves off the plant to avoid injury to the masses passing through, but I personally hate to see gorgeous symmetrical plants disfigured this way.

Mazzocco vineyard glazed pot

Our last winery stop, Mazzocco Vineyards, also featured a spiky plant–a flax–planted in a big pot–this one a model with beautifully dripping glaze.

Mazzocco Vineyard outdoor seating

Mazzocco patio

The smallest of the three stops that day, the winery featured low-growing drought-tolerant plants and some annuals set in a small theater set that evoked a casual resort set in the middle of oaked foothills. A berm along the adjacent roadway created a sense of shelter and avoided the road noises that would have spoiled the mood.

The setting was simple and casual, nothing so spectacular that you had to stop to look at it, but a pleasant place to relax and spend part of an afternoon.

The message they wanted to convey through their setting: We’re all about rustic elegance. Our wines are direct and connected to the land. (Their offerings happened to offer a large number of vineyard-designated bottlings of zinfandel, many with its own strong character.)

My favorites that day?
Wines: Mazzocco. (I didn’t sample at the first stop.)
Gardens: J.

But they’d all be worth a visit. (And my thanks to our designated driver that day!)

a hanging screen

hanging-screen

Here’s a hanging screen in the garden, a project from a decade or more ago that I still like. It helps separate two levels of the garden: a lower level that has black bamboo planted in a corner, and an upper one where there’s a long tiled bench and outdoor fireplace.

hanging-screen-detail

The screen hangs in an opening that’s five feet high and six wide, and features opaque white polycarbonate in the frame that allows the shadows of the bamboo to provide interesting shadows on long, sunny afternoons.

The style of the screen is a little more overtly Japanese than where I’m in my life stylistically right now, and comes from a time when I was exploring Asian influenced craftsman designs as I was trying to improve my woodworking skills. (There’s a whole bedroom in the house that features similar woodwork.)

The materials are redwood for the frame and polycarbonate for the “windows.” The whole assembly was made with no tools more specialized than a hand-held circular saw and router. Everything is held together with screws, pegs, caulk and an unspeakable amount of waterproof glue.

gardens from lands with little water

My thanks to James Golden of View from Federal Twist for bringing to my attention a book that he thought would speak to this Californian’s attempts to garden in a land with little water. Penelope Hobhouse’s The Gardens of Persia traces the development of gardens in the rainfall-challenged area, beginning with the the earliest known garden for which we have an archaeological record, Cyrus the Great’s gardens at Pasargadae, which date to the 6th century, BCE.

That earliest garden featured a rectangular space divided symmetrically into smaller rectangles by two water courses that intersected at a 90 degree angle. It’s a basic formula that would develop through the centuries into the Islamic, Mughal and Moorish gardens which, in turn, went on to influence garden-making in Europe and beyond.

Cyrus’s garden used water in a way that treated it as a precious resource in a desert land but also showed off the fact that water was available to the owner of the garden, reinforcing the prestige and power of the ruler. Subsequent gardens in Persia continued to strike this balance. They used water in careful, strategic ways, treating it as the rare resource it was, often in narrow channels where evaporation would have been minized under the desert sun. At the same time they highlighted the power of the owner of the garden, and perhaps helped to conflate water’s life-giving powers with legitimacy of the ruler.

alcazar-overview

Here in San Diego, you can see an interpretation of a Persian-influenced Moorish garden in Balboa Park’s Alcazar Garden. Purportedly “patterned after the gardens of Alcazar Castle in Seville, Spain,” the garden is a 1935 design by local architect Richard Requa, built for the 1935-36 California Pacific International Exposition.


View Larger Map

Although I’ve never been to the Alcázar in Seville, a quick trip to the satellite overview of the original Alcázar gardens on Google Maps reveals the California garden to be a fairly loose interpretation of what you’ll find in Spain. But it retains strong overtones of traditional Persian gardens in its strong symmetry and thrifty use of water. (Garden sightseeing via Google Maps works really well for overviews of large gardens with strong structure. Take a look at Versailles or Isola Bella.)

alcazar-fountain-2

alcazar-fountain-1

In the Balboa Park garden each of the intersections of the main central axis and two perpendicular axes is celebrated by a small tiled fountain, six to eight feet across. Neither fountain throws water more than a few inches away from the fountainhead.

With San Diego’s current water restrictions, homeowners can’t have any sort of fountain that shoots water into the air. So even fountains that are as measured in their use of water as these are wouldn’t be permitted. But evaporation and water waste on this style of fountain is so different from what you’d have with civic fountains that are more like unplugged fire hydrants. (Think of the fountains in Las Vegas at Bellagio.) These little Moorish fountains celebrate water, they don’t waste it.

alcazar-plantings-edges-2

alcazar-plantings-edges

The garden features borders of clipped boxwood that outline the rectangles of the garden beds. Seasonal plantings rotate in an out of these bordered areas. Lavender, cosmos, and Shasta daisies were filling in the central rectangles on this July afternoon, with rudbeckia, penstemon, iresene, cannas, sunflowers and other warm-weather plants on the margins.

Are these plantings historically accurate? With the exception of the lavender, not at all. But chances are that if the Persian rulers were around today, they would used whatever materials were available to them, especially if they were plants that spoke to power and conquest over distant lands. Plants from all over the globe and modern hybrids would only serve to reinforce the viewer’s sense of the ruler’s power.

Penelope Hobhouse makes a similar observation about choice of plant materials in the Persian-influenced gardens at the Generalife in Grenada: “Archaeologists discovered that the garden must originally have been planted with low-growing flowers requiring little soil, although there were some deeper pits obviously made for shrubs, such as myrtle, and orange trees which had been described as growing there in the 16th century. After the excavations the soil was returned to the Acequia Court, and today modern annuals with no historical authenticity give a colorful display.”

If you were wanting to make a historically-correct Persian garden Hobhouse’s text list many other options throughout, including various roses, tulips, and several trees including white poplar, plane trees, plums, apricots, and apples.

Another resource for historical plants would be Ali Akbar Husain’s Scent in the Islamic Garden: A Study of Deccani Urdu Literary Sources, a study that I knew nothing about until I happened to see it sitting on the shelf next to the Hobhouse book in the library. This fairly academic but quite readable book concentrates on Mhugal gardens and provides a long appendix of specifically fragrant plants mentioned in garden texts. Although the focus is on texts from India, plants of of European origin make up a big part of the list.

Many of the selections don’t come as any surprise: several rose species, narcissus, violets, lavender, jasmine, mint, crinum, crocus, lilies, iris. But a couple would be surprising selections for gardens today: one of the stinking corpse flower species (Amorphophallus camanulatus) and cannabis (yes, that cannabis).

background check

buckwheat-without-background

My last post has me thinking more about the backgrounds that plants grow against.

I was getting excited that the San Miguel Island buckwheats(Eriogonum grande var. rubescens) that I’d grown from seed were coming in to bloom. But standing back from them, I realized that the place where I’d transplanted them–a raised bed with a red brick retaining wall behind it–might not have been the best place for the plants.

The dusky pink flowers blend so well with the reddish colors of the brick that they practically vanish. And the busy gridded background of the brick and weeping mortar draws so much attention that anything in front of the wall just gets ignored.

buckwheat-with-background

What would it look like against a more neutral backbround? I wondered. And so I went to grab a piece of white matboard and positioned it behind the plants.

Wow. Big difference. It’s suddenly easier to make out the shapes of the umbels of flowers, and you can begin to appreciate the subtle color of the flowers.

buckwheat-with-background-closeup

Up close, the white background almost made the plant look like a botanical illustration.

buckwheat-with-bug

The low contrast against the background didn’t prevent this bug from finding the buckwheat. Clearly, a bug’s eyes and brain don’t work the same way our human ones do.

Once these plants grow in more and achieve some more height they should stand a better chance of holding their own against the background of busy brickwork. But the plants will never “pop” against the wall in the same way they’d show against a simpler, more neutral background. So, in the “note to self” category, I’ll be paying more attention to contrasts between the plant and the hardscape around it.

how the neighbors are coping

Water restrictions went into effect here in San Diego on June 1. So far there’s a short list of thou-shalt-nots, and the water district has primarily targeted landscape irrigation, the low-hanging fruit, with directives like: no watering between 10 a.m. and 6 p.m., watering only on specified days based on your address, sprinkler-watering limited to no more than 10 minutes, three times a week.

Walking around my neighborhood I can see a lot of people who’ve responded to the call. Some are just beginning to make changes, while others made changes years ago.

dry-yard-with-junipers-and-sago

I was down a couple streets from my house when I saw this front yard makeover. Simple. Just a few big plants chosen for their countours. This is a house where the modern lines of the house echo the style of the plantings. The sago palm requires some water, but the other plants would do well going dry.

Walking around I saw a number of houses where more drought-tolerant plantings were making their way into the landscape. Each house seemed to have their own take on what a drought-tolerant front yard could look like.

dry-yard-with-red-brick

Some relied on hardscape to replace a lawn…

dry-yard-with-red-mulch

…some went in for lots of mulch instead of a lawn, but not many plants…

dry-yard-with-mulch-and-succulents

…some for mulch with some plants, drought-tolerant or not…

dry-yard-with-junipers-and-gravel

…many of the yards that were reimagined as dry landscapes many years ago seemed to rely on gravel and some plants…

dry-yard-with-dry-creek

…several used gravel with just a few plants to image a desert theme…

dry-yard-with-junipers-and-fig

…this one mixed gravel, junipers, and edible landscaping–a fig–right out front…

dry-yard-with-mixed-planting

…many used what I’d consider a contemporary look, employing widely-spaced drought tolerant combining natives or exotics set in mulch or DG…

dry-yard-with-anigozanthus-and-grasses

…here’s another of the style where a few plants are set in the middle of space they’ll never grow into. It’s definitely a look, as well as landscaping that embraces the fact that things don’t need to be densely planted to look good…

dry-yard-with-roses-and-grasses

…many yards feature some more water-intensive plants mixed in with ones that require a lot of water, a kind of planting that a drip irrigation system can make possible. These people used some roses along with plants that’ll look good with less water.

browning-lawn

Looking around you sense that this is a neighborhood in transition. Some people are just letting their lawns go brown. Some may be planning on redoing their plantings. Others are probably just waiting out the water restrictions to go back to their old ways.

big-green-front-lawn

Some houses are still attached to their old ways that feature conspicuous water consumption. Maybe at some point its was a status thing, showing everyone that you could spend resources on something that can’t be used. But these days it’s hard not to feel a little hot under the collar when these are resources that are being taken from the rest of us.

Still, before I get overly tough on the neighbors, I want to give people the benefit of the doubt for a while. These are tough economic times. Redoing your landscaping can be an expensive proposition. And there are people for whom dealing with a sprinkler timer would be like asking them to pilot the Space Shuttle. (My father could never figure out his timer.) And there’s a chance that people haven’t heard about the new restrictions.

shopping-center-watering-asphalt

But there’s one water-user that I’ll call out on the carpet. This is our local shopping center, which presumably is maintained by people who know what they’re doing. But watering the sidewalk and the asphalt…

shopping-center-runoff

…and then letting all the water run off into the storm drains, well, that does get my goat. But it’s not like I’m only grousing on a blog they’ll probably never read. They’ve heard from me already, and I hope they’ll get in step with the neighborhood they serve.

But overall I’m pleased. People are getting the message and they’re doing something about it. I think they get a sense that we’re all in this together, and we’ll find ways to deal with this water crisis. Not living in a neighborhood ruled by a homeowner’s association, you can see that we’re all finding different solutions.

Some choices will be better than others from the standpoint of water use, habitat, urban runoff or reducing the heat island effect. Still, it’s encouraging to see people people waking up from this fantasy of a lush, green, subtropical California of endless water resources.

wishing for water

Remember wishing wells? In the early 1970s, when I first started paying close attention to gardens, every few yards would have a wishing well as an accent of the landscaping: Big lawns, lots of flowers, the wishing well, maybe even a lawn jockey. You don’t see wishing wells (or lawn jockeys) around these parts very often anymore.

wishing-well

The other day I was up on the roof deck, enjoying the breeze. Looking in a direction I don’t usually pay much attention to, I noticed this feature in the back yard of one of my neighbors. It’s a little hard to make out, so I’ve enhanced it a little. Hmmm. Looks like a wishing well, maybe 1970s vintage…

Jump ahead 30 years, to the more drought-conscious 21st century. Many Californians are reducing or replacing their turf. One of the ways that’s used to give some focus or structure to these de-lawned yards is to construct a dry stream bed.

(I thought it was interesting that both these yard accents are all about water. The wishing well celebrates the stuff, almost as if it’s available in a magical, never-ending supply. The stream bed is more of our time, and acknowledges that water is a resource that isn’t always plentiful and can’t be taken for granted.)

stream-with-duckies

Down the street, another of my neighbors has done their own take on a dry stream bed. It has lawn along some of its length, but succulents and drought-tolerant plants the rest of the way. And in the middle of the stream…seashells. And these little yellow rubber duckies…

reclaimed from concrete

Two posts ago I mentioned the Crack Garden, a winner in this year’s ASLA awards program that made me think in a new way about dealing with too much concrete. Ryan over at Dry Stone Garden has some different thoughts on the project that are worth a read.

porch-1

And as long as we’re talking about reclaiming space from what used to be paved over, let me show you a few shots of my front porch. (Notice how fanatically I staged the space for these photos, including coiling the leaky old hose off in the corner. That’s a level of creativity you never see in the garden design mags.)

The area was all concrete until two, three years ago. This was from the years when a lot of concrete was poured with strips of wood to break the expanse of concrete into neat rectangles. Nice idea, but over the years the wood rots. The concrete shifts.

porch-from-above

So I dug out all the decaying wood with a chisel. Next John and I spent a couple hours with a sledgehammer removing some of the big squares of concrete, and then I poured black-pigmented cement to grout between some of the slabs.

I probably didn’t do enough to prepare the ground. Why spend time doing that when there’s bare dirt where you can put plants? So in went some blue fescue in a grid pattern. (Fortunately a few of the plants died, breaking up what would be a cliche of little blue fescues all lined up neatly in their rows.) And then a plant of red shisu for contrast, two standing stones, three stepping stones, a potted euphorbia, gravel mulch and the coiled garden hose to complete the picture. (The shisu is an herb that dies back every year, but it reseeds like crazy, letting you decide where you want some dark red foliage this year.)

porch-with-hose

Okay, ASLA. I’m ready for my Honor Award.