the garden back home

We interrupt this brief series of looks at Dallas for a quick glance around my garden back home in San Diego. Actually I’ve been home from Texas for a while now, but I wanted to make a little better sense of the two hundred or so photos on my various devices before I posted the final selections. Until then, and until I can apply order the rest of the universe, here’s a light smattering of what’s going on.

March and April can be eyebrow-deep in flowers. But the winter rains that give a big boost to the plants haven’t arrived this year. Take these tiny chia plants (Salvia columbariae) as examples. This is some of this year’s seed-grown crop, nothing taller than two or three inches. The previous years they were closer to two to three feet tall–and stunning. Little water, big difference.

Out front, where many of the natives live, maybe 95% of the irrigation is natural rainfall. The plants would look better with supplemental water, so I sometimes wonder if I’m doing a bad PR job about natives if the garden sometimes looks a little straggly. I’m not sure whether it’s tough love on my part or just having gotten used to not needing to water. In the end the plants do seem to to pull along, and maybe that’s the more important message about the natives: They don’t always look great (how many of us do?) but they can survive without taxing the local water resources.

For the most part the following are plants, California natives and from farther afield, that came into bloom recently. A lot of the old dependables are still blooming away, oblivious to the season…

Win­nifred Gilman salvia

Verbena lilacina

An unknown lavender that self-sowed

Another view of the stinging lupine, backlit to show the little prickly hairs

Stinging Lupine: This plant is fairly well armed with tiny, unpleasant little hairs. But it's a local native that's totally dependable for a month of color.

Solanum pyracanthum: The species name of this nightshade translates into "fire thorn," pretty appropriately named. As the leaf dries the thorns are the last to lose their color.

The common gray santolina, new flowers against the dried remainders of last year's flowers. In my book, the soothing brown dried heads of flowers look lots cooler against the silver foliage than the egg-yolk yellow of the fresh blooms.

Salvia chamaedryoides

Salvia Bee's Bliss: a plant that a lot of folks rave about. It can be slow to get established, but once it gets going it's pretty tough and a great source of flowers for 2-3 months.

Phlomis monocephala

A mystery oxalis species--I lost its name. The leaves are ordinarily dark green, but the plant is dying back for the year, and the dying foliage is this subtle mottled effect.

Melianthus major, Honey Bush

Hummingbird sage, Salvia spathacea

Homeria collina

The silver-with-red leaved silver jabe plant, Crassula arborescens

Grapefruit flowers: kids, this is where grapefruits come from.

Geum Red Wings

Gaura lindheimeri

Sarracenia flava var. maxima, the first of the pitcher plants to have bloomed this year.

Euphorbia lambii

Eriogonum arborescens

Dichelostemma capitatum, Blue Dicks. Beautiful in the garden in huge groups, they're also really delicious for the gophers.

Desert mallow, Sphaer­al­cea ambigua

Daffodil--I think it's Ice Follies. Not many daffodil hybrids come back reliably in Southern California, but this is one of the classics.

Another look at Crassula multicava

Another crassula, C. multicava, with billowing heads of tiny flowers in winter and spring (and maybe longer if you water them more than I do).

Coreopsis maritima, our local native coreopsis, that's undergone a name change to Leptosyne maritima.

The first California poppy of the season

Blue-eyed grass, Sisyrinchium bellum


Thanks again to Carol at May Dreams Gardens for hosting this great way for garden bloggers to find each other. It’s also a fine way to see what’s in bloom around the world. Check out all the gardens [ here ].

not a grassy knoll

A trip to Dallas gives you the opportunity to visit the Sixth Floor Museum, an institution that “chronicles the assassination and legacy of President John F. Kennedy; interprets the Dealey Plaza National Historical Landmark District and the John F. Kennedy Memorial Plaza; and presents contemporary culture within the context of presidential history.”

Whenever anyone hears about the place, the initial reaction is something like “ooh, creepy.” But the thing is done so simply and respectfully that it’s worth fighting the ick factor.

The museum–no interior photography allowed, sorry–builds a narrative that leads up to and recedes from a re-creation of the sniper’s nest on the sixth floor of what was back then the Texas Book Depository building. From the outside, immediately below the cornice, there on the right, you can see the infamous partially-open window.

Down below there’s an embankment planted with grass, the “grassy knoll” that figures in some scenarios as the location of a possible second gunman.

It’s also the location of a big banner screaming “Grassy Knoll” in case you didn’t figure what it is.

Planting a big banner on an embankment doesn’t make it any more of knoll, however. From my imperfect understanding of landscape terms a knoll is a gentle bump on a flattish landscape. (There might be sheep nearby.) This instead is a grassy embankment beside a road that feeds into a highway. This is not a knoll.



grassy knoll

This, however, is a knoll, and quite a grassy one at that. (Image by Rosser1954 at the Wikimedia Commons.)

On the pavement right in front of the G.K., you can see one of the two white X’s that mark the locations of the limousine when it was struck by gunfire. It’s probably the most tacky or mawkish thing you’ll see on your visit.

Down on the plaza you can look up to the open window, across to the “knoll,” or down into a big water feature filled with winter leaves moving slowly in the breeze-driven water currents. You can trance out to the little epicycles that the leaves take through the water, or you can try to ignore traffic and reflect quietly on the events that took place here fifty years ago.

I’d guess that most Dallas residents aren’t so thrilled for being known for living in the city that killed JFK. But this is history, and I’m glad I came to pay my respects.

lostlandscape does dallas

An annual work conference takes me to various cities around the country. Some cities have been amazingly cool centers of human civilization, but most others are places that had never been high on my bucket list. Really, I’m going for the conference, and the city is just set dressing. But the trips is a good excuse to get vaguely acquainted with–and sometimes be pleasantly surprised–by the background city.

So…Dallas…

The landscape between the airport and the conference hotel is a pretty bland ooze of industrial housing, strip malls and the occasional mega-church, all interspersed with flat-to-rolling terrain that looked scraped clean of anything resembling like nature. One of my fellow conferees looked at the surroundings, appraised it. “Tornado country,” as if that might actually be the best fate for it.

If you’re able to switch on the selective amnesia and forget about the ride into town, however, the immediate setting of the conference, in a hotel adjacent to the Arts District, was actually a pretty pleasant and interesting place.

This being downtown, most plant-life comes served to you on a tray or in a dish.

Other things also come on plates. This is a hazy, out-of-focus remembrance of dessert, a kulfi “ice cream sandwich,” at the most interesting restaurant I had a chance to sample, Samar.

Back outdoors, back to nature-on-a-plate, planters outside the Dallas Art Museum, in front of Muguel Covarrubias’ glass mosaic from 1954, The Gift of Life. The perfect artwork for a gray day in a gray downtown.

A new museum going up, almost ready to open, the Perot Musuem of Nature and Science. Its architect is Thom Mayne, whose “Death Star” building erected for CalTrans in downtown LA (below) bears more than a passing resemblance to this building…

Thom Mayne CalTrans building in LA(Photo by Magnus Manske, from the Wikimedia Commons.)


A few places had grass around them–and even trees.

This being downtown it wasn’t enough for trees to have branches and bear cooling leaves for the summertime. They also had to light up. This is one of a a bunch of trees I ran across that were thoroughly wired.

And another one…

(Add pigeons…)

The quality of light in a downtown area is always a tad strange. You’d never guess that the sun was straight ahead on the other side of the building when I took this. The light and shadow comes courtesy of the reflection off the glass-walled office building behind me reflecting the sun back towards itself.

Pointy shadows, gumdrop prune-jobs…

(Subtract the pointy shadows…)

The twin gods that preside over Dallas…

Window washers, presiding over Dallas.

The old, with the new rising far behind it.

Thank the shopping gods for these: Jonathan Cross vessels for sale at the gift shop of the Dallas Art Museum. There was no space in my carry-on for anything, even these compact little vessels. Wah. They’re almost too cool to consider adding a plant to them.