talking trees

If a tree talks in the woods and no one’s around to hear it, does it make a sound?

Tuesday morning I had my choice of places to view the televised inauguration of Barack Obama or ways to hear the audio feed. Working as I do on the UCSD campus, there were rooms in libraries, radios at coffee stands and individual laptops that were all playing the ceremonies. The most unusual venue I could pick from was to hear the inauguration broadcast through the speakers of lead-plated eucalyptus trees that were installed over twenty years ago as part of the campus’s Stuart Collection.

treesingingLeft: The tree in the installation that plays music.

The work is Trees by artist Terry Allen, and was constructed from three eucalyptus that either had died or had to be removed to make way for new construction. The dead trees were cut into big chunks, dipped in wood preservative, reassembled, and then covered with small sheets of lead attached nails. What was the artist’s intent? The Stuart Collection’s description offers this explanation:

One could walk through the grove several times before noticing Allen’s two unobtrusive trees.  Not only do these trees reinvest a natural site with a literal sense of magic but they implicitly make connections between nature and death and the life of the spirit.  It is not surprising that students have dubbed this area the “Enchanted Forest.”

At the entrance to the vast, geometric library the third tree of Allen’s installation remains silent – perhaps another form of the tree of knowledge, perhaps a reminder that trees must be cut down to print books and build buildings, perhaps a dance form, or perhaps noting that one can acquire knowledge both through observation of nature and through research.

treetalkingfrombelowRight: The tree in the installation that recites poetry.

On Tuesday, the tree that ordinarily recites poetry and the one that typically offers songs and music were dedicated to an audio feed of the Presidential inauguration. The organizers had high hopes, predicting “hundreds of students” would show up for the event. But for the few minutes I could spend there, I counted just about a dozen people and two dogs (well-behaved ones, attending with their owners, not dogs doing their thing on the trees…).

treemutebarkLeft: The “bark” on the mute tree, showing the nails holding the lead plates, as well as the list of credits of the people who worked on the project.

treemuteLeft: The mute tree, as seen from the library entrance.

The special programming wasn’t the easiest sell that morning. The inauguration was already a huge event.

I’ll have to admit I had a hard time paying attention the the art event myself. You could feel change in the air. And even talking trees in a forest weren’t enough to get people to stop.

4 thoughts on “talking trees”

  1. Oh, wow…what an amazing installation. Cool idea, too, and a notable place to listen to the festivities.

    (BTW, the Photoshop Moment you’ve been dreading/anticipating has arrived. I hope you’ll find it’s been worth waiting for.)

  2. Hi James, I meant to leave a comment on this the last time I read this. This is such a great space, merging art, nature and the spoken word. I love that there is a poetry tree. I can certainly see why it is called the enchanted forest!
    Best,
    Philip

  3. I’ll have to admit that this is one of the Stuart Collection pieces that gives me a little difficulty. When I go into a forest I go for something other than to be reminded of human things. In some ways this piece works backwards from how it’s intended. Instead of revealing the artist’s intention of having nature come back to haunt us, it seems that we’re inserting ourselves into it–and fairly rudely sometimes.

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